Esta é de como Santa María ressucitou ũa mininna que levaron mórta ant' o séu altar.
| Line | Refrain | Metrics | |
| 1 | Resurgir póde e fazê-los séus | 10 A | |
| 2 | vivê-la Virgen de que naceu Déus. | 10 A | |
| Stanza I | |||
| 3 | Dest' un miragre mui grande mostrou | 10 b | |
| 4 | en Élch' a Madre do que nos comprou | 10 b | |
| 5 | polo séu sangue e que se leixou | 10 b | |
| 6 | matar na cruz per mãos de judéus. | 10 A | |
| Resurgir póde e fazê-los séus... | |||
| Stanza II | |||
| 7 | Ũa meninna morava alí | 10 b | |
| 8 | que padr' e madre, com' éu aprendí, | 10 b | |
| 9 | havía, e que vivían assí | 10 b | |
| 10 | come crischãos, mais non com' encréus. | 10 A | |
| Resurgir póde e fazê-los séus... | |||
| Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/133 | |||
| Stanza III | |||
| 11 | Aquesta meninna foi a bever | 10 b | |
| 12 | ena cequía, e dentro caer | 10 b | |
| 13 | foi, por que houve lógo de morrer. | 10 b | |
| 14 | E con sospiros muitos e “ai éu”s | 10 A | |
| Stanza IV | |||
| 15 | que o séu padr' entôn por ela fez, | 10 b | |
| 16 | e ant' o altar da Sennor de prez | 10 b | |
| 17 | a foi deitar e loar, outra vez | 10 b | |
| 18 | a changiu, dizend': “Os pecados méus †CSM 133:18Mettmann II has a el changiu here, a most curious insertion given that the word el is absent from Mettmann I and both manuscripts, does not fit the metre, and is unnecessary (though not contrary) to the sense (outra vez a changiu = "once again he lamented her", i.e. the father lamented the daughter). | 10 A | |
| Stanza V | |||
| 19 | foron estes.” E lógo fez cantar | 10 b | |
| 20 | missa de réquiem pola soterrar, | 10 b | |
| 21 | e ũu foi a pístola rezar | 10 b | |
| 22 | dos mórtos que fez Judas Macabéus. | 10 A | |
| Resurgir póde e fazê-los séus... | |||
| Cantigas de Santa Maria for Singers ©2013 by Andrew Casson www.cantigasdesantamaria.com/csm/133 | |||
| Stanza VI | |||
| 23 | A madre nunca de chorar quedou; | 10 b | |
| 24 | e poi-lo prést' a sagra começou, | 10 b | |
| 25 | a meninna tan tóste se levou | 10 b | |
| 26 | viva, dizendo: “Estes son dos téus | 10 A | |
| Stanza VII | |||
| 27 | miragres, Virgen, Madre do Sennor | 10 b | |
| 28 | do mundo, Jesú-Cristo, Salvador, | 10 b | |
| 29 | aquel que foi morrer por nóss' amor, | 10 b | |
| 30 | según que contan Marcos e Matéus.” | 10 A | |
| Resurgir póde e fazê-los séus... | |||
Footnotes
| Line 18: | Mettmann II has a el changiu here, a most curious insertion given that the word el is absent from Mettmann I and both manuscripts, does not fit the metre, and is unnecessary (though not contrary) to the sense (outra vez a changiu = "once again he lamented her", i.e. the father lamented the daughter). |
Manuscript references
External links marked 
are to facsimiles on Greg Lindahl's Cantigas de Santa Maria website.
| [E] | 133 | viewhttp://www.pbm.com/~lindahl/cantigas/facsimiles/E/267small.htmlExternal link |
| [T] | 133 |
Oxford CSM Database record
External link to poem data: CSM 133http://csm.mml.ox.ac.uk/index.php?p=poemdata_view&rec=133
Links to the Oxford database are provided with the kind permission of the project team. When planning a concert or recording, I would recommend that you use (and credit) my more pragmatic texts and supporting materials in the preparation of your performance, but that you request permission from the Oxford database team to reproduce (and credit) their own critically edited texts in your programme or liner notes, as these adhere to stricter criteria that keep them closer to the original sources, and undoubtedly have the greater academic authority.
Metrical summary
Refrain
| 10 10 |
Stanzas
| 10 10 10 10 |
Rhyme
AA / bbbA| R | I | II | III | IV | V | VI | VII | |
|---|---|---|---|---|---|---|---|---|
| A | ɛu̯s | |||||||
| b | ou̯ | i | eɾ | eʣ | aɾ | ou̯ | oɾ | |
Estimated performance times
| Average syllables / min. | Time | |
|---|---|---|
| Very slow | 50 | 8:48 |
| Slow | 100 | 4:24 |
| Medium | 150 | 2:55 |
| Fast | 200 | 2:12 |
| Very fast | 250 | 1:45 |
These are very approximate total times for a full sung (or spoken) performance of all stanzas with all repeats of the refrain. Note that the speed is in average syllables per minute, and no particular mensural interpretation is assumed. More ornamented music will reduce the syllabic speed considerably. Remember also to add time for instrumental preludes, interludes and postludes.
Total syllables: 440
